Showing posts with label Masterpiece Theater. Show all posts
Showing posts with label Masterpiece Theater. Show all posts

Sunday, February 15, 2009

Paranormal
a Sci-fi Comedy
February 27-March 7
The Factory Theater
791 Tremont Street
Boston MA
8pm



"I am K'Tharr, a Grulark Warrior-Bunny from the planet Trepmalthok, and I would give my life to defend you!"

With those words from a six-feet tall bunny-shaped alien, Krista Maclay, burgeoning psychic, is thrown on a journey beyond the human world in which she meets Elvis-impersonating aliens, invisible annoying bodyswappers, a moody yet endearing psychic boy, and a long-dead former best friend who forces her into an epic psychic battle for free will.

"Paranormal" is a sci-fi comic fantasy juggernaut for everyone who doesn't see why someone couldn't be a zombie, a pirate, and a telepath at the same time.Featuring Laura DeCesare, Timothy Hoover, Neal Leaheey, Crystal Lisbon, and Nick Zendzian. Sound design by Neil Marsh. Written and Directed by Carl Danielson.

For tickets, call (866) 811-4111 or go to "Paranormal" at TheaterMania:
http://www.theatermania.com/boston/shows/paranormal_151611/

Please also visit:
Unreliable Narrator

Saturday, January 10, 2009

The Winter Season of Masterpiece Theater Classic

I caught the promos for the upcoming offerings for Masterpiece Classic last night during 'Waiting For God.' I was disappointed in it even more than I was in my January 4th blog post concerning the upcoming season.

I am not so much disappointed in the 'Celebration of Dickens,' taking place from February-May. With the exception of 'David Copperfield,' (a version that has future 'Harry Potter' stars Maggie Smith and Daniel Radcliffe-a clear bit of shameless tie-in with the 'Half Blood Prince' movie coming out this year) and 'Oliver Twist,' I am pleased that they are airing adaptations of stories by Dickens that aren't as read nowadays as they might have been in the past. An example being the 'Old Curiousity Shop,' which caused a sensation in its day not unlike the 2007 midnight release of 'Harry Potter and the Deathly Hallows.' In those days, Dickens published his tales in periodicals in monthly installments and ravenous readers had to be patient as each chapter unfolded at what we would consider now to be a slow and maddening pace. The oft-told story concerning 'Old Curiosity Shop,' is of people rushing to the docks in America as the periodicals were being delivered and asking if 'Little Nell was dead.'

Instead of the umpteeth adaptations of 'Oliver Twist' and 'David Copperfield,' I feel they should have included in their place both 'Bleak House,' (a Dickens adaptation that resuscitated the Masterpiece series recently) and the docudrama that produced in 2002 based on Peter Ackroyd's biography called simply 'Dickens.' Not only was the latter a well done insight into the art and the life of its subject, it also included clips from the film and tv adaptations of his novels, which were used here to also shed some light on certain aspects of his life.

I am disappointed that the upcoming Masterpiece Classic offerings include yet another adaptation of 'Wuthering Heights' and yet another adaptation of 'Sense and Sensibility.' Admittedly, the latter was a part of last year's well received celebration of Jane Austen (known as The Complete Jane Austen), which also resuscitated the Masterpiece franchise in 2008 and so I understand wanting to go with a winner. However, I don't understand the need to air yet another adaptation of 'Wuthering Heights.' I cannot imagine that there were not other adaptations that could have been commissioned or that exist out there that PBS could not use for this series that would not be 'more of the same.' Per the PBS site, they work with "producing partners in the UK" to develop content for these "seasons."
Great Britain is a place of quite a bit of diversity and it seems to me that one way to keep Masterpiece "accessible" and exciting would be not to again, "show more of the same."

There are clearly no stories about 'Hong Kong' between 1912-1997 or of India in the 1840s or of the British colonies in Africa where the protagonist is not Caucasian because:

A) It would mean acknowledging the imperialism of UK's past and
B) it is still a truism that many people will not put themselves in the shoes of someone whose culture is so foreign to them or that they cannot relate to or so it is believed.

I expect I will watch 'Little Dorrit.' According to Wikipedia, the actor that potrayed Charles Dickens in the 2002 docudrama 'Dickens' (Anton Lesser), will be in this version of 'Little Dorrit.' He was very good in the former and as an avid Dickens fan, I expect he will be as good in the latter. It is something to look forward to I suppose.

Sunday, January 4, 2009

The new Masterpiece Theater season

Tonight, Masterpiece Theater features something from it's 'Classic' series, The tale is 'Tess of the D'Urbervilles,' which was written by Thomas Hardy and published in 1897. It drew much criticism as its heroine had premarital sex and was still portrayed as sympathetic.

I wish I could be more excited or engaged about this story since Hardy wrote such powerful stories. I suppose I feel that since Masterpiece Theater has changed reinvented itself over the past two years, that it could broaden its scope of stories that it presents. A very popular series of recent years for PBS has been African-American Lives, presented by noted scholar Henry Louis Gates, who in the 1980s helped to publish great literary works of Black Women through the Oxford University Press. I am puzzled why none of those stories make it to Masterpiece Theater. Why not a story like 'Our Nig' or 'Iola Leroy' or 'Contending Forces'?

For Masterpiece Contemporary, there are no dearth of titles either. PBS saw fit to air the Tony Hillerman adaptations, which were fairly faithful and no less entertaining. There are other such stories out there.

It may seem as if I am advocating for more productions to be aired that feature more people of colour as central characters rather than sidekicks or magical Negros or creatures to be rescued or worse yet, invisible. You would be correct. May some of these stories are coming down the pipe. If they are, I take exception to them being aired during certain times of the year. Not all stories or issues having to do with African Americans need to be aired in February, just like all stories having to do with Native Americans don't need to be only aired in November.

I know that money is tight for PBS. I do feel that if we stop being spoon fed these stories which are just more whiter shades of pale, that when PBS stations ask for pledges, more people will be willing to give because they will see that their diversity message is not lip service after all.

Review: The Tale of the Dark Crystal

The Tale of the Dark Crystal by Donna Bass My rating: 4 of 5 stars View all my reviews